painted Combate naval in 1838 - 1912  Related Paintings of Eduardo de Martino :. | Night View of Rio de Janeiro | Abordagem da corveta Maceio | Battle of Riachuelo | View of Rio de Janeiro | Alto mar |
Related Artists:
Henry Holiday
Henry Holiday (17 June 1839 - 15 April 1927) was an English historical genre and landscape painter, stained glass designer, illustrator and sculptor. He is considered to be a member of the Pre-Raphaelite school of art.
Peeter Danckers de Rij
Pieter, Peeter, or Peter Danckerts de Rij, Dankers de Ry, or Peteris Dankersas (1605, Amsterdam - 9 August 1661, Rudnik) was a Dutch Golden Age painter. He was the son of Cornelis Danckerts de Ry, member of a large family of printers, painters and engravers. Adam Kazanowski - by Peeter Danckers de Rij. Example of Dankerts-Sandrart collaboration in print of PC Hooft. This 1642 engraving was painted by Sandrart, etched by Reinier van Persijn, and printed by Danckerts. The poem in Latin at the bottom was written by Caspar Barlaeus.Cornelis is mentioned in Houbraken's Schouburg as being one of the many teachers of Joachim von Sandrart in 1640-41, though considering Sandrart's age and experience (he had just returned to the North from his Grand Tour to Italy), this was more of a collaboration. Since Filippo Baldinucci later wrote a biograhical sketch on Pietro Danckerse de Ry in his list of artists called the Notizie, it is possible that Danckerts visited Italy at some time. In any case Sandrart engraved some of Peter's paintings after this period. Peter was active until 1640 in Amsterdam, and then he moved to Warsaw, Danzig, and Vilnius in the Polish-Lithuanian Commonwealth. He was active in Poland as the court painter and architect of the Polish King Władysław IV Vasa. According to Houbraken a poem was written in his honor that applauds his work in Poland. He died as the result of a highway robbery in the Redininkai Forest near Vilnius, Lithuania.
BARRA, Didier
French painter (b. 1590, Metz, d. 1644, Napoli French painter, active in Italy. He was for a long time confused with FRAN?OIS DE NOM?, and the work of both artists was thought to be by a Mons? Desiderio, a 'highly praised painter of perspectives and city scenes' (de Dominici). It is now generally accepted that Mons? Desiderio was the pseudonym of Didier Barra (1982 exh. cat.), son of Cl?ment Barra. Didier Barra left Metz probably c. 1608, when his name appeared for the last time in the city archives. From c. 1630 he was active in Naples, where he came into contact with landscape and townscape painters from northern Europe. De Dominici wrote that he was associated with Belisario Corenzio. The point of departure in reconstructing Barra's oeuvre is the Panoramic View of Naples (Naples, Mus. N. S Martino), which is signed and dated Desiderius Barra ex civitate Methensi in Lotharingia, F. 1647. The picture is a precise and panoramic view of Naples from the sea, from a single viewpoint, enriched by lively brushwork and with spirited scenes of shipping in the foreground. Its topographical precision suggests that Barra was influenced by the engravings of large views of Naples made by Alessandro Baratta ( fl 1629-30), and he may himself have trained as a cartographer. On the basis of this picture, several views of Naples have been attributed to Barra.